Monday, December 07, 2009

Benito Merlino ::: Chants de Sicile & des îles Eoliennes vol. 1


Emigrated to Paris from the small island of Filicudi in the Eolian Islandsin the sixties, Benito Merlino has been singing Siclian songs for over 40 years.
He is a novelist, a professional translater from Italian into French and a master of puppet theatre as well

01 La ballata di don Giovanni
02 La mattanza
03 Cavalieri di Bretagna
04 Il lamento di Eolo
05 Angelica
06 Fila fila bedda mia
07 Le sette sorelle
08 Serata a Donnzafugata
09 Un giorno sarai un'isola
10 Botta pi botta
11 Amici, amici
12 I sospiri di Diana
13 Vannazzu a lu burattu
14 La bedda dillu scuogghiu
15 Vota e giria
16 Per Luigi Salvatore
17 I colori del mare
18 Portosalvo
19 Ti dice niente il mare

Buda CD825042

Chants de Sicile & des îles Eoliennes vol. 1 part 1
Chants de Sicile & des îles Eoliennes vol. 1 part 2

Saturday, December 05, 2009

Marino De Rosas ::: Meridies




second album by this Sardinian guitarist, produced by the great Andrea Parodi, we miss him

01 Transumanza (5:56)
02 Reina Eleonora (4:54)
03 Isole (4:40)
04 Kandelera (3:23)
05 Ninna nanna (4:27)
06 Mediterraneo (3:11)
07 Cannonau (4:21)
08 Chelos de oro (7:41)
09 Meridies (1:59)

1999 • Amiata records ARNR0199 • Tronos TR 198

Meridies

La lionetta ::: Ballate 1978-1996


An anthological CD of the widely popular Turin-based band, with remasterized tunes from the two first records dating from the years astride the '70s and the '80s. The collection contains also two unpublished tracks and a cartoon by Vincenzo Gioanola with music by the band

Laura Malaterra: vocals, classical guitar, dulcimer, bass
Roberto Aversa: vocals, bagpipes, guitars, whistles, bombardes, percussion
Maurizio Bertani: vocals, mandolin, flute, violin, guitar, bombardes, metallofhone
Mark Ghio: voice, violin, cello, percussion
Vincenzo Gioanola: vocals, dulcimer, hurdy-gurdy, melodeon, banjo, percussion
and
Paolo Mariotti: drums (12)
Andrea Lyoi: bass, backing vocals (13)
Beppe Tannorella: drums (13)
with
Johnny Betti: percussion (04)
Gianni Cinti: oboe (11), (07)
Gualtiero Gatto: percussion (04)

from Danze e ballate dell'area celtica italiana
01 Papa' demi la bela
02 Un'eroina
03 Le vioire
04 Dona bianca
05 La bergera
06 Prinsi Raimund
recorded at studio G7, Torino, April 1977

from Il gioco del diavolo
07 Cecilia/Il sogno di Cecilia
08 La lionetta
09 Moran dell'Inghilterra/Canzone della bella
10 Leandra
11 Povra mi/Tema della madre
recorded at studio Minirec, Torino, October/Decembre 1980

12 Amore inevitabile
recorded at Giava studios, Moncalieri (TO), summer 1984
13 L'anello
live in Folkermesse, Casale Monferrato, 15/9/1996

2004 • FolkClub Ethnosuoni ES 5336

Ballate 1978-1996

La Moresca antica ::: Li turchi alla marina


Second chapter of a sort of "book" about sea-shanties that this band from Lombardy has been writing. Following Marinaresca, the CD published in 2000, this new production is characterised by a stylistic approach between popular and ancient music

Elena Novello: vocals
Marco Marchi: vocals
Sabina Colonna Preti: viola da gamba, soprano voice
Alberto Borrini: viola da gamba, basso voice
Angelo Maffezzoli: recorders, flutes, friscalettu, Rinascimental bombarda, cornamuta torta, gemshom, vocals
Umberto Mosca: vocals, calascione, Baroque guitar, cornamuta torta, recorder, gaita de bota, French pipes, percussion
Domenico Poerio: vocals, Baroque guitar, percussion
Roberto Gallina: citola
Marcello Serafini: viella
Chiara Granata: triple harp
Eduardo Eguez: Baroque guitar
Walter Morelli: percussion
Renzo Ceroni: bassetto
Maurizio Martinotti: hurdy-gurdy
Gabriele Coltri: French pipes
Paolo Colombo: vocals
Morgan Vinciguerra: vocals
Carolina Eguez: vocals, speaking
Dimitrij Vinciguerra: vocals
Carlotta Pupulin: Celtic harp, vocals
Margherita Pupulin: violin, vocals
I musicanti di Riva
Coro "Canta coi lupi"

01 Sanda Nicole
02 Cum quidam fluctuantia
03 Riturnella
04 La vien dal porto, Gagliarda/Io navigai un tempo per un mare/Ballo del mare
05 Tira tira, Barba Nicola/Canto dell'argano
06 Voca la galiera/Voca gagliarda
07 O'matrimonio d'o'guarracino/Tarantella del Guarriero
08 A ttocchi a ttocchi la campana sona/Aria della campana
09 All'erta all'erta che if tamburo sona/Quadriglia
10 Lo sciabecco algerino/Aria dello sciabecco
11 Trescone o ballo del riccio
12 Intermedio de' pescatori "Per che il cielo brami"/Corrente decima
13 Cialoma quannu si isa la vela
14 La in mezzo al mar

2004 • Folkclub Ethnosuoni ES 5337

Li turchi alla marina

Friday, December 04, 2009

Marino De Rosas ::: Kiterras


After a stint with an Italian beat group, I Pelati, in 1969 Marino De Rosas started a solo career, experimenting with his acoustic fingerpicked guitar.
His compositions are interspersed with echoes of classical music and, maybe more to the fore, traditional Sardinian music.
This cassette was released in 1990 and it has never been issued on CD, it seems

01 Cannonau
02 Passo torrau
03 Abba de 'ena
04 Ninna nanna
05 Reina Eleonora
06 Deus ti salvet Maria
07 Scottis
08 Transumanza

1990 • RBS

Kiterras

Betti Zambruno & Bärtavela ::: Cantè bergera


This record is a wonderful idea: Betti Zambruno sings and Bärtavela play strings and percussion, interpreting traditional ballads and songs from the land of Piedmont, the Italian region on the French border. 
Zambruno's voice is warm, mature, clear and so downright beautiful it attracts the listener's attention and never gives up. This is balanced by the dynamics of the strings. At first you expect the usual traditional instruments, but once you are over that expectation, you cannot but marvel at the coherence of the sound produced - something that has a lot to do with Bruno Raiteri's and Maurizio Martinotti's sympathetic arrangements.
The songs themselves come from a repertoire amassed by Teresa Viarengo, more than 300 ballads and songs in all. The subjects of the ballads all have to do with women and girls in various circumstances, ranging from love and poverty to war, marriage and death (mostly of the unnatural kind) and from all social groups.
The booklet is trilingual, in English, Italian and Piemontèise, the local dialect. The songs are preceeded by a small preview of the plot, although the lyrics themselves are not translated.
Again against expectation, the music is not sombre; the arrangements retain the structure of the traditional songs, even as they are transcribed to a more formal medium. It's quite close to composers like Bartok and Skalkotas, approaching traditional music from a classical perspective, and yet the sound is completely contemporary, a servant to the music and not used to glorify the arrangers or the players.
The result is an intriguing, soothing and enchanting record with a solemn, grandiose air that feels quite appropriate
Nondas Kitsos • RootsWorld

Betti Zambruno: vocals
Magdalena Vasilescu: violin
Francesca Lamborizio: violin
Federica Marco: viola
Silvia Airoldi: cello
Anna Paola Brancato: double bass
Monica Pisano: percussion

01 Il genovese/La bella
02 La Marion de bon maten/Mattinata
03 L’infanticida/Doel
04 Canté bergera
05 La piemontesa
06 La guerriera/La diaolera
07 La ragazza assassinata/Daspermi
08 Occasione mancata/La malapara'
09 Amore a 15 anni/Bonora
10 Il galante spogliato/Matarpiuma'
11 Cecilia/Aria per Cecilia
12 Quand a na sie la su' 'n Savoja/Visti

2001 • Folkclub Ethnosuoni ES5319

Cantè bergera

Thursday, December 03, 2009

Zimbaria ::: Live


The overwhelming rhythm of tambourine and the vocal and instrumental evolution of TARANTA/PIZZICA from Salento have their maximum inspiration source and expression in this extraordinary group, founded by the legendary Pino Zimba, whose tambourine and voice will be one of the icons of Salento forever. Acclaimed at every national and international ethno/folk music events for the disruptive force of their pizzica with a rock band style, ZIMBARIA get across, even to the most convinced rockers, via the tambourines rhythm a tremendously catchy enthusiasm, regular, hypnotic, at the same time frantic, that always manages to produce a strongly engaging rhythmic and sound environment

Pino Zimba: tamburello, rattles, vocals
Simone Longo: tamburello, vocals
Carmelo Ottobre: accordion
Rossano Ruggeri: chitarrino (tres)
Salvatore Salentino: violin
Cristine Santagada: vocals
Gabriella Marciano: guitar, vocals

01 Smarrimento
02 Sciuparieddru
03 Pizzicarella
04 Lu rusciu de lu mare
05 Pizzica de focu
06 Aria caddrhipulina
07 De sira
08 Stornelli
09 Kalinifta
10 Sale

2004

Live

Wednesday, December 02, 2009

Tandarandan ::: Épata, la musica delle stagioni


This is a very folksy disc from this Northern Italian octet. With twelve songs, one for each month of the year, each time of the year (feasts, harvests) is represented by a traditional song. One semi-exception, March's entry, is a first-rate Maurizio Cavalli composition about Guido Pietro Gherardi, a quarryman in marble, who led a famous 1894 demonstration against the government. The demonstration was attacked by the army and our poor quarryman died in prison, but is remembered in this prog-folk hymn to freedom. That song is probably the closest nod to the current era on the disc. By contrast, on "L'Orazione del prole pia," a nice mix of traditional instruments and lovely harmonies tells an ancient story. May's entry includes a May Day March, a hymn to work or "Inno del Lavoro," and sounds like a village brass band marching down the main street. 
There is also variety. "La Bella" is a minor-key ballad of Tuscan origin, featuring fine female vocals, nice percussion and violin. "Moresca" has some lively percussion and organetto. Another, similar organetto-based song is "La pesca dell'anello."
Other sounds are on offer, as well. "Polca dell orbo ­ Scott del Bricca ­ Marcia di Viggion," the entry for September, starts as something akin to a French Canadian reel, and perhaps owes a bit to early La Bottine Souriante. "Pifferata di Don Bellentani" harkens to a Bach fugue, with Marco Montanelli's church organ paying homage to a 19th century musician.
At times Tandarandan is trying to re-create an older sound, at times they create something new. It's a nice mix and a very likeable, somewhat quirky collection that rewards repeated listening. The notes are colorful and the music well-explained in Italian and English, but no lyrics to the songs
David Cox • Rootsworld

Maurizio Cavalli - guitar, vocals
Marco Guidi - percussion
Stefania Gussoni - clarinet, bass clarinet, vocals
Roberto Fatticcioni - bass
Mauro Manicardi - bagpipes, accordion, vocals
Roberto Mazzi - hurdy-gurdy, voice
Elisabetta Piastri - flute, sopranino, soprano, alto, voice
David Virgilio - violin, piano, vocals
with
Jacopo Bisagni: piva dal carner in "Piva of Bugelli"
Fabrizio Pilu: violin on "Polca orbit" and "Scott Bricca" purple "Moorish"
Marco Montanelli: organ of the Church of St. Nicholas Caprigliola (Ms) in "Don Pifferata Bellentani"
Choir of the Friends of Fravizzola (Nanni Barbero, Livio Bernardini, Giampietro Lupi, Egildo Simeon) in "May of Biassa"

01 La Pefana di Nicola 3:25
02 Marcetta di Groppo / Sata Martin 5:33
03 Pietro Gherardi il cavatore 3:03
04 L'orazione del prole Pia 4:37
05 Il Maggio di Biassa / Inno del Lavoro 4:43
06 La bella 4:59
07 Moresca 3:00
08 La pesca dell'anello 3:57
09 Polca dell'Orbo / Scott del Bricca / Marcia di "Viggion" 5:06
10 Pifferata di Don Bellentani 4:33
11 Santa Caterina 4:03
12 Pastorella / Piva di Bugelli 5:29

2005 • Folkclub Ethnosuoni ES 5346

Épata

Tuesday, December 01, 2009

Briganti di terra d'Otranto ::: La gola de lu riu


Briganti Di Terra D'Otranto are a band from Salento including refined interpreters and composers, representing the perfect synthesis between PIZZICA, TARANTA, GRIKO's melody, popular tradition and modern author music. A stunning repertoire (traditional and own music), catchy arrangements, a long care in the rendering of Salento's moods, a great load of energy and a powerful sound on stage, their expressive ability and their dedication during the performances have given the opportunity to BRIGANTI DI TERRA D'OTRANTO to take part to numerous festivals in Italy and abroad, with an overwhelming response from public and critics alike. The name BRIGANTI indicates the condition of someone that rises against globalization of music market and media, committing himself to preserve his own identity from colonization and cultural erosion of musical tradition. Two tambourines in the rhythm section, three lead singers, violin and flute as main instruments: BRIGANTI DI TERRA D'OTRANTO manage to merge different sounds and rhythms like a painter mixes his colours. The energetic pulse of TARANTA springs out from the obsessive vortex of tambourine, while the sweetness of their melodies enhances the culture of a people that sings of love as the Greek ideal of contemplation and utmost beauty 

Tonino Frioli: vocals, bass guitar, percussion
Giovanni Sperti: vocals, twelve-string guitar
Antonella Esposito: vocals, castanets
Amedeo De Netto: drums
Antonio Creti: drums
Chiara Marangio: flute, piccolo
Cristian: violin

01 Pizzica di Aradeo
02 Cumma Maria
03 Lu pulice
04 Na rosa
05 Rondinella
06 La gola de lu riu
07 Pizzica di san Vito
08 Agapimu fidela protini
09 Si picculina
10 Quandu lu sule se 'nfaccia a mare
11 Serenata

2006 • Maffucci Music MM062

La gola de lu riu