01 Ritornello delle lavandaie del vomero
02 Nascette ’mmiez’’o mare
03 Italiella
04 Brigante se more
05 Marinaresca
06 Fra massune e giacubbine
07 Terra mia
08 Tarantella di san Michele
09 Canto allo scugnizzo
10 Tarantella finale
11 Donna ’Sabella
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2006 • Calliope CAL 9367
•
full scans
•
flac
Napoli furiosa
192 kbps CBR
Napoli furiosa
Gerardo Balestrieri was born in Remscheid in June 1971 Actually he 's living in Venice
Apolid composer and singer he studied at Oriental University of Naples
Tout-court artist he makes a live-sound-track of Murnau's Nosferatu and collaborations with Daniele Sepe, Bebo Storti , Le Theatre de la Ville de Paris…
In 1999 Balestrieri founds "Les travailleurs de la Nuit" (not organized band variabile in humors and elements), writes and records "Anachronistic Dream of a Disadapted of the century XXI" a concept-album tribute to Alexander Marius Jacob, gentleman and sarcastic thief wich inspired Le Blanc for Arsenio Lupin.
In the years 2000 and 2005 Balestrieri is invited to Premio Tenco and he plays in session with Stefano Bollani, Ellade Bandini, Mauro Pagani, Francesco Guccini and others
He wins International Pelago Festival Buskers '96-Risonanze 2004- Mantova Musica Festival 2006- Sciamano Showman festival 2006.
The first album "I nasi buffi e la scittura musicale" is considered the Second First Opera of 2007 and Balestrieri is invited for the third time to Premio Tenco.
In "Venice Carnival 2008" he presents le disc In Theathre Fondamenta Nuove and after in february on Sky TV.
Between July and August always in the same theatre, he records and presents with Arif Azerturk Ensemble of Istanbul " A Neapolitan Turk in Venice" , spectacle on the Neapolitan song revisited in middle-orient style, with musicians and instruments of Asia Minor.
In "Venice Carnival 09" "A la Folie" he presents le "Repertoire Megaphoniste"
In july '09 pubblished the cd: " A Neapolitan Turk in Venice" and record "Who is Boris Vian" In the same period records with Moshen Namjoo in his new album "Oy".With the same artist plays in Venice Cinema Festival....... In septeber "A Neapolitan Turk in Venice" is considered Second Album Cover of the year '09
In november and december '09 Gerardo Balestrieri joins Fishtank Ensemble in California: Live-tour and a new Album recorded in Los Angeles.
The recording from " Songs at crossroads (al crocicchio)” had already began in Venice, a second disc of original and unpublished songs...In february he plays in Carnaval of Venice 2010. Summer 2010 tour with Arturo Brachetti. Open act, composer and player during the Show "Brachetti & Friends". In july " Songs at crossroads" is pubblished by Luigi Fantini (...Paolo Conte's manager)
With a deep voice he uses more languages like italian, greek, french,,napolitain and english…
Lyrics often frequents poetry, irony, bizarre sarcasm. Etno-Jazz and France, swing , Tzigane Etnicity and MiddleOrient-sensual-power , Gerardo Balestrieri loves to jokes with words without forget rhythm and dance
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Didem Dermen: kanun, santur
Arif Azerturk: oud, tar, saz, bouzouki
Gerardo Balestrieri: voice, guitar, accordion, daf, zill
Paola Fernandez Dell’Erba: voice
Loris Tagliapietra: double bass
Musereff Dilek Zertunç: bass kementche
Sinan Çelik: ney, kaval
Said Chavoshbaran: daf, tombak
Marzuk Mjeri: darbuka, riqq, mazhar
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01 A Marechiare 4.53
02 Maruzzella 6.123
03 Canzone appassiunata 4.06
04 Guapparia 3.21
05 0 guappo `nnammurato 3.46
06 Scetate 4.48
07 Nascette 'mmiezz `o mare 6.45
08 0 Sarracino 4.05
09 Caravan petrol 3.24
10 Tammuriata nera 4.4
11 Uocchiee'arraggiunate 4.56
12 Core `ngrato 5.19
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2009 • Interbeat INT 02-09
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> 192 kbps VBR • complete scans
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Un turco napoletano a Venezia
“Napoletana” is an artistic project sprung forth from the enormous desire to bring back the old Neapolitan lyricism, its purest and most poetic expression, always guarding itself against the risk of being set aside and catching dust or finding to have been overshadowed by a deceiving and stereotyped folkloristic postcard, which is the image that has always been portrayed all over the world: a city, Napoli, where “appearing” means more than “being”. A research-project that reconnects, with simplicity, to the sources of sounds, made of work-songs and villanelle, but, at the same time, of songs that are totally unedited, etched in the cement of the city, with eyes fixed on the past and a heart that breathes in the scent of the future.
A new music born from an old art, unique and overflowing with feeling, sought-after and innovative in the language.
The Neapolitan minor scale (harmonic and melodic) is a spawn of the Greek tetrachord and it represents the starting point of this journey; then, under the concrete of Naples’ housing projects it discovers its ancient truths, the universal and eternal questions and answers to the misery and the suffering that each new day brings. The lyrics, raw but intense poems that are born in the street, recount all this.
The musical intermezzi with the sopranino saxophone and the small Neapolitan harp, coupled with the classic guitar, give life to a striking representation of a musical ambience that is, at once, new and old. On the trail of one the rarefied scales recuperated and reused by Avitabile, we find the “scala nova”, of popular origins, which dates back to the XIV century. It resumes the instrumental music in accord with the sung pieces.
Napoletana is the old that sounds new, the new that sounds old. Napoletana is a snapshot of Neaples, a city with historical sources that are at the heart of a culture that moves along, aware of its roots, and of its expressed and unexpressed capacity for cultural development, both national and international.
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Enzo Avitabile: vouce, arpina, sopranino sax in MIb
Umberto Leonardo: guitar
Carlo Avitabile: bassdrum, drum, tamburino, castanets
Marco Pescosolido: cello
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01 Don Salvato'
02 Libberazione
03 Malincunìa
04 Ricurdànne
05 Benedítta sia
06 Ca nun mancasse màje 'o sole
07 Amaro nunn' éss"a essere màje
08 Il lamento dei mendicanti
09 Sango e grano
10 Figliola ca guarde 'o mare
11 Canto 'e primavera
12 Carmela
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2009 • Folkclub ethnosuoni ES 5378
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> 192 kbps VBR • complete scans
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Napoletana
Third album by this seminal Neapolitan group, reissued short after as a double Lp with the former one, Cicerenella, already posted here
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01 Madonna tu mi fai
02 Il mattacino
03 De la crudel morte de Cristo
04 'Ndrezzata
05 La serpe a Carolina
06 Cantà a 'ffigliola
07 Ballo di sfessania
08 O vecchia
09 Pacchianella d'Uttaiano
10 Tarantella del '600
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Nunzio Areni
Eugenio Bennato
Giovanni Mauriello
Patrizio Trampetti
Fausta Vetere
Aided by Roberto de Simone
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1972 • Ricordi
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a low bitrate rip, found on e-mule, I guess, sorry
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La serpe a Carolina
01 Diavolo s'arrecreia 3:46
02 La montanara 6:02
03 Lu bene mio 4:48
04 Mamma Napoli 4:36
05 Positano 3:17
06 A sud a sud 3:10
07 Addio 4:17
08 Stelle 4:26
09 Stammo buono 3:52
10 Quando tornammo a nascere 4:28
11 Salta salta 3:51
12 Pizzica (la calata dei napoletani al santuario di san Paolo in Galatina) 5:50
13 Aumm aumm 7:06
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Teresa De Sio: voice, acoustic guitar, tammorra, tamburello
Sasà Flauto: classic, 12-string & acoustic guitar, buzuki, h. vocals, acoustic bass (7,8)
Giuseppe De Trizio: mandolin
Erma Castriota: violin
Puccia: accordion
Alfredo Paixao: electric & acoustic bass
Arnaldo Vacca: tamburo, tamburello, percussion
Vito De Lorenzi: drums, tamburello
with
Rita Turrisi: viola (4,7,9)
Gennaro Della Monica: cello (4,5,7,9)
Carlo Cossu: violin (4,7,9,13)
Umberto Papadia: voice, tammorra (13)
Mario Guarino: bass (13)
Raiz: voice (9)
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2004 • Lucente
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192 kbps CBR • lyrics
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A Sud! A Sud!
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01. Tarantella di Montemarano
02. A Legna Alla Muntagna
03. Calascionata
04. Tarantella di Paternopoli
05. Matinata
06. Tarantella di Volturara
07. Trapolanella
08. Mariuccia ('Na Pippa 'Na Cannuccia)
09. Serenata
10. Quadriglia
11. Pampanella
12. 'Nu Juorne Fui 'Nvitato A Caccianë
13. Batticulo (vatticulo)
14. Pastorella
15. Tarantella di Nusco
16. Serenatella
17. Tarantella di Montemarano
18. Tarantella con flauto doppio
19. Suonata di carnevale mortoì
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2000 • Taranta Ethnica TA020
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320 kbps CBR • complete scans
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Suoni d'Irpinia part 1
Suoni d'Irpinia part 2
courtesy of martsou
and a third one
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01. Ritornello delle lavandaie del vomero
02. Sacco e Vanzetti (Lacrime 'e cundannate)
03. Procidana
04. La zita
05. 'Ndrezzata
06. Madonna tu mi fai
07. Tarantella del '600
08. Pastorella siciliana
09. Lo guarracino
10. Madonna de la grazia
11. O vecchia
12. Vurria addeventare
13. Lla canzone di Zeza
14. Quanno nascette ninno
15. Donna Sabella
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1997
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320 Kbps CBR
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'O meglio vol. 2
courtesy of martsou
another NCCP compilation
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1. Jesce Sole
2. Angelare'
3. Serpe a Carolina
4. Canto Dei Sanfedisti
5. Ballo Di Sfessania
6. Canta' a 'Ffigliola
7. Tarantelle del Gargano
8. Tarantella Di Masaniello
9. Rumba Degli Scugnizzi
10. Cicerenella
11. Mattacino
12. Sia Maledetta l'Acqua
13. Pacchianella d'Uttajano
14. Morte Di Mariteto
15. LL 'Ffigliole
16. Boccuccia de 'No Pierzeco
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1995
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320 Kbps CBR
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Link
courtesy of martsou
A compilation from early albums of the well known Neapolitan band
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1. Ricciulina
2. Vurria Ca Fosse Ciaola
3. La Morte De Mariteto
4. Se Ti Credisse
5. Vurria Addiventare Suricillo
6. Li Sarracini Adoeano Lu Sole
7. 'E Spingule Frangese
8. Vintitre Li Fronne
9. Sia Maledetta L'Acqua
10. Vurria Addeventare
11. Li Ffigliole
12. Vulumbrella
13. Si Li Ffemmene
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1983
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320 kbps CBR
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Villanelle
Possibly recorded in the USA, no infoes on the performer, but his portrait on the back cover
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01 I' m'arricordo 'e Napule 3:28
02 'A canzone 'e Napule 2:25
03 Santa Lucia luntana 3:29
04 Torna maggio! 2:28
05 Chi sa? 2:06
06 'A tazza 'e cafe! 2:32
07 Mamma mia, che vo' sape? 3:02
08 Tarantella Luciana! 2:12
09 Na Voce, 'na chitarra e'o poco 'e luna 3:05
10 Dicitencello vuie 3:20
11 Piscatore 'e Pusilleco 2:58
12 Nuttata 'e sentimento 2:17
13 Carmela mia 1:22
14 Duorme, Carme 1:57
15 Malafemmena 4:04
16 Nun me sceta 4:02
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1965 • Folkways Records FW08770
Achille is the legendary man who, along with his group, keeps alive Tarantella of Montemarano (the "mother of all tarantellas") and an exhaustive Hirpinia's traditional repertoire (Hirpinia is located in the mountain area behind Naples' hinterland). No fear to say ACHILLE stands for the essence of popular music itself: he is the brave ensign who brought traditional music to such a point of artistry that ancient rhythms and melodies now seem to be the result of a long experimentation in Southern Italian World Music.
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Achille D'Agnese (voice, accordeon)
Beniamino Palmieri (accordeon)
Danilo Palmieri (tamburello)
Gianni Cantone (steel clarinet, ciaramella)
Margherita D'Agnese (voice, castanets)
Michele Cavaliere (tamburello)
Rosetta D'Agnese (voice, castanets)
Tiziano Granese (clarinet, accordeon bass lines)
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01 Tarantella montemaranese
02 Serenata
03 L'aggio ritto e l'aggia fa
04 Na pippa e na cannuccia
05 Sulillo mio
06 Figliulo
07 E semp'a la via re vascio
08 Rammi le maccatore
09 Lo stritto vico
10 Tarantella montemaranese (alternate version)
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2005
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E chi 'o murì
The article strikes me more than anything. Sale close a wound, deepens into a vortex of the soul that knows rust, salt and sun. Scratches and faults, rears up and falls as the movement of hands on a tamorra, but then sat in an open bay hot and dark in the heart of a lullaby. Short is Teresa De Sio. When the voice is soul that is transformed back into speech in a series of references that astounding and confusing. E 'shamanic magic that branches off from singing, tinkling from the strings of the mandolin played by Don Peppino De Tritium, which flows across the strings of guitar and percussion on the leather stretched. "Sacco and fire" is programmatic: the story of an assault in music at the heart of our passions. Album quickly and easily. Culminating as part: with a burst of pride.
"Border Brigades"A repechage from"A free search"In 1995, encouraged by the outcome convincing concert seems invented for the Brigades Lolli: "But look still exists / still insist / I dress, undress me, / success, resist. "And later:" We're still here / who survived a barrage / to count one by one / to tell us of a future. / We are firemen and sailors / tire shops and bakeries are / we are singers, flute and violin / We have ladders and hammers / brushes sails and we / we have a compass, wind and flag / / We brigades of border / frontier that have not ever seen .But all the hard beats and beat well on these issues. The initial "Sacco and fire, Preceded by a brief intro "Death and Zi Frangilli"Charles of Anjou, the next"I would not fear". From"A daughter or rre"Until"Vulesse addEvent"An album of angry dignity, shook heads to say no, waste and rebellions.
"Teresa thanked (it is said inside the cover) Who does not fear the robbers and robber of all ages, disobedience is a meter to measure the world, the intelligence that will save the land of idiots, but loaded with blanks, the females who want to live and love free as fish in the sea and then end up in fried tielluzza. Those who stay and resist the beautiful city of Naples and miserable, the states are difficult to maintain grace, poetry and lascienza who know nothing of each other, but both can tell us things about the night sky. Who still has a compass, a wind and a flag. Who does not want to keep master. The young musicians out of work. Popular music. And finally, the power of passion, the only battle that we can not lose. " And we thank her for every line written here above, for every word sung in this song and inexhaustible desire not to fall into line.
In short, if Teresa Batista was tired of war, Teresa De Sio does not support the flag, but takes beautiful high, as in "To the south, south"And makes twittering on popular songs, the concepts right, the holy battles. It 'a perfect record so "Sacco and fire"? All. But it is a hard visceral. And when did the viscera are perfect? By definition are imperfect, dirty, corrupt. The viscera are thrown. But you can also throw on the table because they contain the courage and passion, two weapons in the hands of Teresa are not dead.
They are the best fruit when popular music is the music copyrights and parenting produces a magical mixture and saving. We are, we are next to Teresa when she writes (and sings, especially singing, breeze and raging storm): "And I know ll'anni past and is always 'on the same song / na vote was' or Piedmont and N'ata vote was 'or Burbon / but also chiste and mo, overo fietenti know / Who' o tene s'o maintain. ... who n'culo nun tene niente " (Sacco and fire"). Or: "I want to give a damn mother / of all the good ways / I want to set my powder / dust with the sun" (I would not fear").
Then there are the oasis: the africaneggiante "Ukellelle"With the sublime counterpoint of Esha Tizafy: "It feels so chillu Luntana / Pens ca ce po 'is still hope / Cull'uocchie dry Addò is trying to shore / And turn to earth crosses and addreto / he goes," reminiscent of the dry way with which even Gianmaria Testa told similar stories. Or the "Lullaby" who cry: "Here Teresa, her!" "And you too Duorme Duorme / Ca nun is cchiu criatura / Duorme Duorme and is safe / Ca ce stong 'I am close to you / Ca stongh'io cu ce te". A song that seems to date back to the time of "Piano and voice" sweet, understanding, warm and soothing, sung in that voice, that voice that envelops and pulls, ripping the curtains of time and makes lace and fine powder.
All songs of Teresa, except two: start with "Death and Zi Frangilli"And with the pre-final"Tambureddu"Which is by Domenico Modugno. Zì Frangilli not add anything to the disc (and is not a strong start) Modugno yes because transformed into a violent rhythm machine, on which the voice of Teresa, as elsewhere, lends a hand rumoristica. A level of interpretation is then missed the finale of "Vulesse addEvent"When the ratio fish / woman, fisher man-tips and take turns now one, now another exchange mozzichi and excerpts of meat"E or take them to muozzeche and eat m'o / Isso ca me vuleva Magna / And I vuleva tene 'nzerrata dint' home soya / But I m'o magno. E 'pure folk theater, comedy, drama.
We waited seven years before the record run and only two years between "South southAnd "Sacco and fire, But two discs of different souls. The first popular and playful, this songwriting, with strong popular roots, and darker, more angry. The more indignant and combative.
Queue, to close the whole, the epic anthem of all of us Brigades frontierThat the border we have not ever seen. But we saw a woman on the hill clutching a flag and waving it in time. The flag was red, the woman was Teresa: Teresa De Sio.
Giorgio Maimone • bielle.org (translated by Google)
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Teresa De Sio: voice, acoustic guitar, tammorra
Max Rosati: acoustic guitar, 12-string guitar, electric guitar, classic guitar
Giuseppe Don Peppino De Trizio: mandolin
Her: violin
Upapadia: percussion, tammorra, voice
Mario Guarivi: bass
Fred Casadei: bass
Luca Trolli: drums
Vito De Lorenzi: drums, tammorra
Peppe Voltarelli: voice
Esha Tizaty: voice
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01 A morte e zi’ Frungillo
02 Sacco e fuoco
03 Non tengo paura
04 A figlia d’o rre
05 Amen
06 Ukellelle
07 Due ore al giorno
08 Ninna nanna
09 Vulesse addeventare
10 Tambureddu
11 Brigate di frontiera
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2007 • C.O.R.E./Edel0181822ERE
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Sacco e fuoco
Chitarra, percussioni e la straordinaria voce di Rosella Caporale (Baraonna). Un organico minimalista ma efficacissimo e rigoroso nel riproporre alcuni classici della canzone napoletana (Funiculì Funiculà, I' Te Vurria Vasà, Reginella, Lo Guarracino, Sto Core Mio) insieme a composizioni originali di Fulvio Caporale.
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Rossella Caporale: vocals
Giovanni Mellone: guitar
Roberto Dani: percussion
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01 Canto delle lavandaie del Vomero
02 La tarantella
03 La festa di Piedigrotta
04 Sto core mio
05 Riggina Giuanna
06 Fenesta vascia
07 Funiculì funiculà
08 i' te vurria vasà'
09 Reginella
10 Catarì'
11 Era de maggio
12 Lo guarracino
13 Ninna nanna d'argiento
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2008 • Velut Luna
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E teretuppete
Via Medina is a street of Naples by the Port, a sort of borderline between the city and the sea, a meeting-point of different cultures and people. Once, in the nearby alleys there were a few nightclubs where tangos and tarantellas, blues and Tammurriate, jazz and popular Neapolitan songs were played and mixed together. Now that the clubs are gone, Viamedina gets a new life in this interesting musical project that, starting from the dialect, the melodies and the instruments of the Neapolitan tradition, takes different roads in order to put a new lymph in an already rich heritage of ancient memories
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Lino Davide: vocals, guitar, battente guitar, oud, bouzouki
Barbara Radi: vocals
Biagio Orfitelli: double bass, electric bass
Vittorio Cataldi: accordion, violin
Sasà Federici: tammorre, congas, bata, djembe, darbuka, cymbals
Gabriele Pastore: tambourine, bongos, bata
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01 Alla festa 4:27
02 Facite trasì o sole 4:12
03 Stu mare 3:42
04 Acqua 4:46
05 Pe' nu munn' cu tanta munne 4:47
06 Gente 'e nisciuno 4:37
07 Chicchirichicchicchì 4:48
08 O ' vient passa e se ne va 4:13
09 Simme li povere 5:25
10 Quann' scenne lu sole 7:52
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2003 • Folkclub Ethnosuoni ES 5353
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Viamedina
Courtesy of Miguel at SFRP who discovered these links on the web
Second album by this Neapolitan band released, as their first one, by a French label
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Maria Marone: vocals
Edoardo Puccini: guitars
Salvatore Della Vecchia: mandola, mandolin
Marco Messina: flutes
Wally Pituello: cello, chitarrone
Raffaele Filaci: percussion
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01 Alla montemaranese
02 Vulesse addeventare 'nu brigante
03 Vola palomma
04 O cunto 'e Masaniello
05 Riturnella
06 La palummella
07 Stu criato
08 Tarantella del cacare
09 Viento
10 Tarantella della Liberazione
11 Canna austina
there's a hidden track, some 20 seconds after track 11 ending, recorded live at Philarmonie of Cologne, December 25, 2007
(12) Antidotum tarantulae/Palummella/Tarantella del ‘600
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2008 • Calliope CAL 9377
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Palummella part 1
Palummella part 2
Palummella part 3
Palummella part 4
Palummella part 5
Already posted on January 21, 2008, but, courtesy of Miguel at SFRP, here you can download a higher bitrate copy and, furthermore, complete booklet scans
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Erasmo Petringa: cello, mandocello, bass, double bass, electric guitar
Marcello Vitale: battente and electric guitar s
'Mbarka Bentaleb: voice, percussion
Zaina Chabane: voice
Roberto Menonna: battente guitar
Pietra Montecorvino: vocals
Eugenio Bennato: vocals, guitars, mandola
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01 Che il Mediterraneo sia 3'40"
02 Ninna nanna 2002 (Eugenio) 2'24"
03 Taranta sound 3'27"
04 Io te cerco scusa 2'58"
05 Parekemore (frammento) 0'25"
06 Popolo di tammurriata 3'33"
07 Global ghetto 3'04"
08 Se tratta de taranta 2'58"
09 Frontiere antimusicali 3'37"
10 Ninna nanna 2002 (Pietra) 2'30"
11 Vola 2'59"
12 Ai naviganti in ascolto 4'53"
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2002 • Rai Trade - Taranta Power • DiscMedi DM 762-02
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Che il Mediterraneo sia
Maybe the worst cover on this blog, but a tryly enjoyable record
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.. THE TRADITION THAT EMBRACES THE EXPERIMENTATION Simone Carotenuto is the “ tammorriata”. Son of the tradition and today one of the major representatives of this ancient form of communication, that is music, dance and singing. His voice is one of the hottest from the Campania music, one of the latest big singers of “ fronne” paradigm and symbol of singing on the drums. He is gifted with a strong talent and a particular verve, that allows him in every situation to have a relationship of great understanding with his public. The search continues in his field and root of his musical formation. It is around this great strong personality that the group “ Tammorrari del Vesuvio” was born. The search and experiment, united with great love for tradition can be found in an anthology of folk music Campania. The latest album “ Aizamme sta Tammorra” have made them one of the most important musical groups and as representatives of Italian folk music. There voyage began with local symbols of Campania tradition, it has expanded the world’s view and on its people. The Tammorrari masters are currently working on experiments and on the blend of sound and thought, that are the beat and thought of the whole Mediterranean, but also the influenced worlds that are fascinating like that of the Balkans and Andalusian
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Simone Carotenuto: singing
Pina Ascione: singing, dance
Catello Gargiulo: singing, accordion, frame drums, jew’s harp
Francesco Maiorino: bass, doublebass
Giovanni Palomba: frame drums, percussion
Hiram Salsano : frame drums, dance
Giovanni Vicidomini: bouzouki, guitar, battente guitar, flutes, shawm
Gianmarco Volpe: guitar, mandola, violin
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01. Tammurriata alli uno 6:00
02. tammurriata alla summese 3:45
03. Aizamme sta tammorra 3:08
04. Maronna e ll'Arco 3:41
05. E' fatta notte e o patrone chiagne 2:56
06. Tammuriata Giuglianese 4:44
07. Tarantella Cilentana 4:09
08. Pe rosa 4:46
09. Salita e danza per la Madonna Avvocata 4:08
10. Canto per la Madonna di Montevergine 5:18
11. Tammurriata dell'agro nocerino-sarnese 8:21
12. Tammurrita dei Monti Lattari 4:52
13. Jesce sole 3:33
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2007 • Maffucci music
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Aizamme sta tammorra
She is one of the young and most appreciated voices of Naples. In 1995 Myriam won the well-known competition of Recanati, but only now she finally comes to her first official album..
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Myriam Lattanzio: vocals
Francesco Ponzo: acoustic and classic guitar, bouzuki
Alfredo Venosa: bass
Vittorio Cataldi: accordion
Emidio Ausiello: percussion
Riccardo Veno: sax
Daniela Lunelli: cello
Piero De Asmundis: accordion
Geppy Gleijeses: speaking voice
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01 Ninna nanna di la guerra 2:06
02 Quartiere abbandunate 5:08
03 L'ammore 3:20
04 Canzone appassiunata 4:22
05 Troppo poco 5:27
06 Mare 3:56
07 Sazio e digiuno 3:21
08 Preta 4:06
09 Sant'Anduono 4:55
10 Terra e sanghe 4:19
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2002 • Folkclub Ethnosuoni ES5326
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Rosa, rabbia e sangue
Mozart's Don Giovanniis re-explored in traditional folk music and popular theatre with serenades, pazzarielli, tammorre, moaning songs, tarantelle, pizziche and lazzi
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Nando Citarella: voice, tammorra, duff, guitar
Gabriella Aiello: voice, duff
Annachiara Mantovani: voice, speaking voice
Carlo Cossu: violin, didgeridoo, voice
Ennio D'Alessandro: clarinet, bass clarinet, ciaramella, tamburello, voice
Mauro De Vita: bassoon: voice
Riccardo Medile: guitar, oud, tracola, voice
Salvatore Zambataro: accordion, clarinet, traccola, voice
•
01 Deh! Vieni alla finestra/Affacciate a fenestra
02 I banditore/Non più andrai farfallone amoroso
03 Nana de Sevilla/Io ti aspetterò, non aspettarmi/Lamento d’amore
04 II banditore
05 Dalla sua pace/D’a pace suia
06 III banditore
07 La stanza di Margherita/Donna Elvira atto I/Ah! Chi mi dice mai!/Aiu mannaia a mia!
08 IV banditore/Voi che sapete/Colpa 'e ll'ammore
09 V banditore
10 Un'aura amorosa (cosi fan tutte)/O alma cianciosa
11 Il catalogo/Madamina/Don Luigi Tenorio
12 La ci darem la mano/Nennè damme la mano
13 Epilogo/VI banditore
14 Il mio tesoro/L'ammore mio/Tesoro meu bim bom borò
15 Donna Elvira
16 Naninellananinà
•
2007 • RadiciMusic Records RMR-119
•
Mozart ... Al chiaro di luna part 1
Mozart ... Al chiaro di luna part 2
The last, so far, album by this veteran Neapolitan group
•
Fausta Vetere: vocals
Carmine Bruno: percussion, drums
Gino Evangelista: flute, whistle, shawm, Portuguese guitar, mandolin, launeddas, corrugated pipe, harp, voices guarattelle
Gianni Lamagna: vocals
Corrado Sfogli: guitars, battente guitar bouzouki
Michele Signore: violin, keyboards, battente guita, mandocello, Pontiac lira, laud, bouzouki, strings
Pasquale Ziccardi: bass, guitars, keyboards, vocals
with
Luciano Catenacci: samples
Carmine Matino: viola
Giovanna De Luca: cello
•
01 Atlantis
02 La furtuna
03 'A vita è 'na taranta
04 Acevera e ammatura
05 Cajal
06 Candelora
07 Nennella
08 Il maestro d'acqua
09 Figli d''o cielo
10 Pullecenella e 'o mare
11 Ammore tu
12 Pithecusa
13 Alfredo
•
2005 • Rai Trade - Tzigari Music
•
Candelora