A selfproduced debut by a good group from Salento
•
Umberto Panico: harmonica
Sergio Fracasso: frame drums, percussion
Maria Vittoria Antonazzo: voice, tamburello
Daniele Vigna: guitar, voice
Giuseppe Memmi: guitar, voice
Simone Melissano: electric bass
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01 Tuminica te porto
02 Fimmine fimmine
03 Nia nia
04 Fior di tutti i fiori
05 U rusciu te lu mare
06 Quannu cammini tie
07 Torna te fore
08 Pizzicarella
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2009
•
> 192 kbps VBR • complete scans
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Schermando
Second album by this very good singer from Salento.
•
Enza Pagliara: vocals
Antongiulio Galeandro: accordion
Gianluca Longo: mandola
Redi Hasa: cello
Adolfo La Volpe: Portoguese guitar
Giuseppe Spedicato: bass
Antonio Esperti: clarinet
Attilio Turrisi: battente guitar
Valerio Daniele: acoustic guitar
Vito De Lorenzi: tamburello, percussion
Gianluca Paglialunga: tamburello
Claudio Pusterla: tamburello
Laura Nascosto: spoons
voices
Claudia De Ventura, Raffaella Aprile, Uccio Aloisi, Pietro Orlando, Ada Pasca, Sofia Giordiani Pagliara, Contadini e trattoriste di Torchiarolo, Annunziata Pagliara, Fernanda Fiorentino, Franchina Lorfei, Francesco Miglietta
•
01 Galatone
02 E' stato il vento
03 Pizzicatila
04 Malachianta
05 Quandu eri tie piccinna
06 Vole e vole
07 Pizzica di torchiarolo
08 Cu ti lu dissi
09 Frunte de luna
10 L'aria de lu trainu
11 Fior di tutti i fiori
12 Aquila bella
13 Cori uniti
14 Ferite ferite
15 Quantu mi pari bella
•
2009 • AnimaMundi edizioni 15
•
> 192 kbps VBR • complete scans
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Frunte de luna
courtesy of survivor 69 again
Formed in 1991, playing baroque and late Renaissance music, this is indeed a set of "taranta" music, but the attitude of these musician is chamberistic. It includes readings from tales about taranta and popular beliefs in Puglia... being these readings obviously in ITALIAN, you might prefer skipping them and downloads only these "Tarantelle", which are indeed well worth hearing... (readings are marked (R))
There’s a double cover set, with or without readings – in this case you have to re-number tracks
•
Doriano Longo: baroque violin, conduction
Luca Tarantino: Spanish guitar
Pierluigi Ostuni: lute
Emanuele Licci: vocals, chitarriglia (small 5 strings Spanish guitar)
Anna Cinzia Villani: vocals, castanets
Roberto Chiga: hand drums
Brizio Montinaro: reading voice
•
01 radio introduction by Guido Zaccagnini
02 Ritmo meridiano
03 Intro by Brizio Montinaro
04 La taranta [from "La terra del rimorso" by Ernesto De Martino, 1961]
05 Tarantelle
06 Delli attarantati [from "Speculum cerretanorum" by T. Pini, 1485]
07 Passacaglia
08 Antidotum
09 L'adolescente tarantato [from "Genialium dierum libri V" by A. D'Alessandro]
10 Variazioni per tamburello su ritmo di tarantella [tradizionale del Salento]
11 La cometa e le tarantole [from "Dialogo delle tarantole" by V. Bruno, 1602]
12 Battaglia di tarantelle
13 La nobildonna di Lucera tarantata [from "De Phalangio apulo" by L. Valletta, 1706]
14 Airs de la Tarantule
15 Il medico e il musicista scettico [from "Indagine su un uomo morso dalla tarantola" by P.F. Doménech y Amaya, 1790
16 Spagnoletto
17 Tarantelle
18 Il vescovo di Polignano [from "Pregiudizi pugliesi" by L. Chiaia, 1888]
19 Tarantella tonum phrygium
20 La tarantata Lisa [from "Finibusterre" by L. Corvaglia, 1929]
21 Pizzica di Terra
22 La tarantata di Nardò [from "La terra del rimorso" by Ernesto De Martino, 1961]
23 Pizzica a botta
24 radio outro by Guido Zaccagnini
•
01 Ritmo meridiano
02 Tarantelle
03 Passacaglia
04 Antidotum
05 Variazioni per tamburello su ritmo di tarantella
06 Battaglia di tarantelle
07 Airs de la Tarantule
08 Spagnoletto
09 Tarantelle
10 Tarantella tonum phrygium
11 Pizzica di Terra
12 Pizzica a botta
•
Accademia nazionale di Santa Cecilia- Stagione da camera 2009/2010
recorded at Auditorium del Parco della Musica, Roma (Italy), May 28, 2010
FM radio broadcast by "Il Cartellone", Radio 3 RAI October 20, 2010
•
Il cartellone part 1
Il cartellone part 2
Il cartellone part 3
Il cartellone part 4
•
survivor 69 doesn't like his recordings made available in lossy format, please respect hiswill.
there are lot of conversion program for your domestic use
First effort by a then very young band. They released a new album short ago
•
01 Tamburru
02 U rusciu te lu mare
03 Beddhra ci stai luntanu
04 E nia e nia
05 A serpe
06 Santu Paulu
07 De fore
08 Canzune alla diversa
09 Lu scarparu
10 Fiuru te citratina
11 Stella lucente
•
Gigi Toma 'Lu Piru': voce e tamburello
Umberto Panico: armonica
Luca Rizzello: violino
Daniele Vigna: chitarra
Maria Vittoria Antonazzo: voce
Fiore Maggiulli: tamburello
Giuseppe Memmi: chitarra e voce
Irene Toma: oboe
•
1999
•
> 192 kbps VBR
•
Stella lucente
track 8 fixed
There is a song coming in, away from time. It’s back, blending words, voices, climates, feelings. Llanguage crosses, mixes sounds. How much is great here in this South! It appears onlyin the dialects, sounds, make waves like a sea. Soothes and unites. Like a bed, a cradle, the euphoria of a vision.
Papagna, dream, soothe! A different feeling
•
01 Malitettu lu cinquanta
02 Oria mu
03 Cuccurucù
04 Canaja
05 Lu zinzale
06 De notte
07 Fei?
08 Pizzica di Aradeo
09 Catarinella
•
Raffaella Aprile vocals
Emanuele Licci: guitars. bouzouki, vocals, harmonica
Michela Bruno: vocals, tamburello
Giancarlo Paglialunga: vocals, percussion, tamburello
Francesco Abbatiello: bass
with
Enza Pagliara: vocals
AntonGiulio Galeandro: accordeon
Silvia Gallone: melodeon
Marco Marinelli Vitello: hrmonica
Cosimo Romano: vocals
Marco Tuma: flute
Cristiano Costantini: violin
Mario Rugge: bouzouki
•
2009 • AnimaMundi 14
•
> 192 kbps VBR • complete scans
•
Papagna
Nidi d'Arac continue exploring the multiples connections between the new and the ancient inspired by technological developments and a growing club culture.
By forging a more than ever stronger dialogue between traditional folk music and digital sounds, melting together electronica's hypnotic cadences and the trance state induced by the taranta, they have successfully taken their music well beyond the Italian typical pop/rock/raggae audience to a much wider world music audience and a club-going international fan base.
Always aware and deeply respectful of tradition, Nidi d'Arac have reshaped the traditional sounds of pizzica by employing dub's ability to distort and colour sound while retaining its ancient soulful beauty.
And to the purists that often say that is better to leave old traditions as they are, Nidi d'Arac can just point out that there are elements already present in the old that very much often are sympathetically and quite naturally amplified by the new
•
01 Straniero del mondo
02 L'acqua de la funtana
03 Sogno
04 Quante tarante?
05 St. Rocco's rave
06 Calispera
07 Matinata
08 Radio Tirana (musica strana)
09 Gocce
10 Ritmo
11 Bellissima creatura
12 St. Rocco's rave after
13 Pizzica del barbiere
•
promo album • Produzione Tarantulae, 2005
•
FLAC • full scans
•
St. Rocco's rave part 1
St. Rocco's rave part 2
St. Rocco's rave part 3
cpurtesy of martsou
•
Ghetonia, Encardia, Malalingua, Roberto Licci, Giovanni Avantaggiato, Cinzia Villani
Kostas Thomaidis, Loukia Konstantatou
•
01 Μaria alla trainiera - Giovanni Avantaggiato - Cinzia Villani
02 Tarantella - Luigi Garrisi
03 Paremu rindinedha - Encardia - Roberto&Emanuele Licci
04 Madonna ci stai alle cambare - Malalingua
05 Musikanti - Malalingua
06 La tambacara - Cinzia Villani - Giovanni Avantaggiato
07 Tarantella - ghetonia
08 Addio addio amore - Encardia - K.Thomaidis
09 Mila Dodeka (miroloi) - Luigi Garrisi
10 Chiangiti femmini - Malalingua
11 Is oriamu - Encardia - Roberto Licci
12 Jerusalem - mara l'aqua - Luigi Garrisi - Loukia Konstantatou
13 Mavro ce skotino - Ghetonia
14 Tarantella - Ghetonia
15 Vasi che cadono - Malalingua
16 Sciur Padrum - Encardia
17 Tarantella per chitarra - M.Kodaxakis
18 Tarantella di san Vito - Encardia
19 Flore d' amore - Giovanni Avantaggiato - Cinzia Villani
20 Mamma la rondinella - Ghetonia
21 La pizzica di aradeo - Encardia - Emanuele Licci
22 Oriamu pisulina - Roberto and Emanuele
•
2008
•
320 kbps CBR
•
Kalos irtate
courtesy of martsou
The ethnic Greeks living in Salento (Puglia) and Calabria have their own distinct dialects (Griko and Grecanico, respectively). They have lived in the area for an undetermined amount of time, possibly as early as Ancient Greece or as late as the Middle Ages. The community has been largely assimilated by the Italian nation, but there remain speakers of the dialects and other aspects of the culture. There was a roots revival in the 1970s in this area, paralleling similar developments across continental Europe, including Brittany and Catalonia.
Encardia is the name of a Greek musical ensemble inspired by, creating and presenting melodies and songs from the rich musical tradition of Southern Italy . The group came together in 2004 and has performed for more than 180 live concerts in the regions of Greece , Italy , Southern France and Cyprus . They have cooperated with the most important representatives of the Southern Italian musical tradition for album recordings as well as in live performances (G. Avantiaggiato, R. Licci, C.Villani, E. Castagna , Ghetonia , mala lingua and others). They have also performed with well-known greek fellow artists such as A. Bakirtzis, N. Portokaloglou, F. Delivorias, K. Thomaides, V. Lekkas, C. Tsiamoulis, A. Ioannides, N. Xidakis, the symphonic orchestra of the municipality of Athens and others. The troubadours of encardia have released two albums (“Agapi mou Fidella” and "To paramithi tis tarantoulas"), both critically acclaimed. The unique connection they share with their audiences while in concert has often been notably mentioned by the media. There is also a third album (Kalos Irtate) which was the live recording of the cultural meeting “Greeks meet Greeks” during which Twenty three musicians and about ten dancers from Southern Italy and Greece took turns on stage and deposited the musical experiences of three different generations.
•
01 Agapiso
02 Tarantella
03 Labour song
04 Lullaby
05 La srina
06 Agapi mou... (my love)
07 .. ..fidella
08 La lega
09 Sciur padrun
10 Bukura more [ωραιε μωρια]
11 Anise mou caspedha
12 Pizzicarella mia
13 Tarantella
•
2004
•
320 kbps CBR
•
Agapi mou Fidella
Third album by this young band from Salento
•
Anacleto Tamborrini: vocals, flute
Giovanni Bramato: vocals, guitar, harmonica
Debora Coletta: vocals, tamburello, tammorra, castanets
Gianluigi Del Sole: vocals, guitar, mandolin, tamburello, harmonica
Davide Greco: violin
Fernando Seclì: vocals, flutes, tamburello, tammorra
•
01 Pizzica tarantata
02 Stornelli salentini
03 Ninna nanna
04 E nia e nia
05 Lu monacu cappuccinu
06 Ninella de Calimera
07 Fimmane fimmane
08 L'acqua de la funtana
09 Lu trapanaturu
10 Quant'ave
•
2006
•
Pizzica tarantata
Tamburellisti is the soul of Pizzica and Taranta tradition in itself. The legendary band from Torrepaduli (Lecce) is one among the masterminds of Salento’s musical renaissance since the 80’s. Tamburellisti Di Torrepaduli are one of the few Taranta acts that have been playing live regularly abroad. They are lead by singer Pierpaolo De Giorgi, internationally known philosopher and aesthete. The band includes the most famous tambourine section from Salento and the exceptional ballerina Serena D'Amato, living icon of the Taranta dance scene. Pierpaolo De Giorgi and his philosophic-ethnic-musical research have brought the 'Taranta mith' back to life with its cultural-spiritual heritage of Greek origin, aimed to the psycho-energetic rebalance of the individual (iatro-musica). Taranta, or the music of the God Dionysus, as performed by Tamburellisti, brings out the values of gathering, dancing together and energetic wellness that come the ‘ritmo tarantato’ of the tambourine that pulses synchronized with the heartbeat, the stars motion and the lifecycle. Tamburellisti di Torrepaduli are the band musically and conceptually closer to the ideal of Magna Grecia, due to the fact that they have reproposed the Greek tradition of monodia and released several albums of grìko music and taranta. Their 2009 tour has been extremely successful, starting on 13th March from Stockholm, to continue in Italy and Greece with over 40 dates, it returned to Athens at the end of October for the 'Cultural exchange for peace and the union of Mediterranean cultures'. Tamburellisti di Torrepaduli will also take part to the movie and its soundtrack of 'Ne te retourne pas' with Monica Bellucci and Sophie Marceu
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as already stated, I don't like this group too much (to be fair)
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Rocco Frisullo: tamburello
Salvatore Crudo: tamburello, dance
Donato Nuzzo: tamburello, accordion
Dora De Vitis: violin
Pierpaolo De Giorgi: guitar, voce
Monia Saponaro: dance
Serena D’Amato: dance
•
01 Balla e sogna
02 Balla taranta
03 La danza dell'usignolo
04 La chitarra è una taranta
05 Dionisiaca
06 Dov'è andata primavera?
07 Mare nostrum
08 Mieru neu
09 Ritmo meridiano
10 Taranta Taranta
11 Virus tarantula
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2009 • Italian World Music IWM 255
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Taranta Taranta
Taranta Taranta track 02
Truly there is a flood of new band from Salento.
Here's another one
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Antonio Ottino: voice, guitar
Annavita Doria: voice, castanets
Alessandro Trovè: voice, drum
Michele Calogiuri: violin
Donato Piliego: harmonica
Marco Rubichi: accordion
Giorgio Nocita: tamburello
Ramona Visconti: voice, dance
•
01 Canuscu 'na carusa
02 Lu rusciu te lu mare
03 Pizzica di S.Vito
04 O rondinella
05 Lu monicu
06 La rosa
07 Strumentale violino
08 Santu Paulu
09 Kalinifta
10 La musica te li Scianari
11 Musica nova
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2008 • Europlay CD 0386
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La musica te li Scianari
Although BIZANTINA is based in Florence, the group style has deep roots in the Southern Italian tradition and in a powerful mix of Mediterranean and Balkanic influences, a sophisticated language already accomplished in “Zahir”, the third album. This female fronted group is leaded by stunning singer Michaela D’Astuto that features numerous striking qualities; the commanding presence of her voice and songs sets her apart, as pointed out in every press review or radio program. An impressive stage awareness and a maniac precision down to the last detail, brought BIZANTINA to compose last studio Album "ORLANDO TARANTATO" as the soundtrack of a theatre show; thanks to it the group sweeps public off his feet even in majors theatres.
•
Michaela D'Astuto voice, cymbals
Susanna Crociani: sax
Ilaria Innocenti: accordion, harmony vocals
Federico Piras: voice, guitar
Michelangelo Zorzit electric bass, double bass, classic guitar
Mauro De Lillo: drums, percussioni
Marcello Melighetti: classic and acoustic guitar, Portoguese guitar, mandola, buzuki, oud
Michele Lovito: percussion
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01 Ouverture
02 Storia d'arme e d'amori
03 Morgana
04 Ogni goccia
05 Stelle all'alba
06 Ninna nanna di Cuscione
07 Danze del cerchio argento
08 Panormozahir
09 Tra cilo e mare
10 La serpe
11 Olek Naffa
12 Fimmina tu
13 Grancassa
14 Stonde d'invernu
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2009 • Italianwordmusic IWM 254
•
Orlando tarantato
Female group of 7 from Salento's "Greek" speaking area. The most "eastern" album and one of the most fascinating work of our catalog. The music and the concerts of Zagara have something magic that make their sound absolutely original and unique. One could say they have created a new kind of music from a dream in which you can see Homer and the ancient Greece.
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Valentina Madonna: voice
M. Antonella Napoli: piano
Eva Barbetta: flute
•
01 Nazzu ne na nia
02 Agàpi naturala
03 Parakalò
04 Tronu de marzu
05 Saranta fidda
06 Kalì nifta
07 Ce o pedì-mmu mu pedà
08 Ti tàlassa
09 Ninna nanna di Calimera
10 Ninuso ninuso
11 Pizzica dei sospiri
12 Rondine ci rondini lu mare
•
2004 • Maffucci music
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L'eros nella Grecia Salentina
Third album by this popular Salento band
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Tonino Frioli: vocals, bass guitar, percussion
Giovanni Sperti: vocals, twelve-string guitar
Antonella Esposito: vocals, castanets
Amedeo De Netto: tamburelli, tammorra
Chicco: violin, voice, classic guitar
Antonio Creti: tamburelli, tammorra
Chiara Marangio: flute, piccolo
•
01 Mannaggia lu sciroccu
02 Pizzica tarantata
03 Klama
04 Lu vecchiu
05 Carmine Crocco
06 Tarantata minore
07 Lu rusciu de lu mare
08 Libertà o morte
09 La tabbaccara
10 Pizzicarella
11 Antidotum tarantula
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2007 • Maffucci music MM063
•
Tirajentu
A cross between Italy, Balkans and Stravinsky. Ghetonia is something to be taken into account as “generation next”, just a kind of absolute aesthetic perfection of musical form and contents. They are a highly excitable, improvisationally eclectic, world-jazz-contemporary group whose amazing musical language blends timeless sounds and words absorbing Italian, Greek, Balkan, Pizzica, Taranta and much more. Group’s recordings and concerts are to be listed among the finest expressions of Italian musical culture. GHETONIA comes from a very old Greek speaking community based in Southern Apulia, where Griko language has been speaking around for 3.000 years (it's Homer's language). Last album "RIZA" (cd+dvd), that means “root” in ancient and modern Greek, collected praises all over the world and is already took into consideration as a supreme “classic recording” in the field
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Roberto Licci: vocals, acoustic guitar
Salvatore Cotardo: soprano sax, clarinet
Emanuele Licci: voice, classical guitar
Antonio Cotardo: flute
Admir Shkurtaj: accordion
Franco Nuzzo: percussion
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01 Luna otrantina
02 Artigiana
03 Ipuno
04 Mavro ce skotinò'
05 Orrio to fengo
06 Aspro to kartì'
07 Is oria-mu
08 Malia
09 Riza
10 Terra e sale
11 Panta s'agapisa
12 L’aria de lu trainu
13 Diavika
14 Ballata macedone
15 Sutt'acqua e sutta jentu
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2009 • Maffucci music MM250
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Riza
During the 1990s, the pizzica taranta, a traditional music of the Salento peninsula in the Puglia region of southern Italy, was taken up both by folk revivalists and more forward-looking musicians. Groups such as Aramire and Canzoniere Grecanico Salentino specialized in straight-up, traditional renderings of pizzica, sometimes with new, topical lyrics. Others, most notably Nidi D'Arac, were grounded in the tradition but mixed pizzica with techno, dub, and Balkan and North African music.
Nidi D'Arac, founded and led by the charismatic singer-guitarist-percussionist Alessandro Coppola, pulled off a brilliant synthesis of Salento roots music and electronica with their 2006 album, Saint Rocco's Rave. Purists may have been put off, but as Rootsworld's Lee Blackstone observed, "all the elements that make Nidi D'Arac sonically mysterious are present in abundance: Coppola's soaring voice, violin and flute, tambourine flourishes, dub and echo flitting about the production. It is an album where the band sounds incredibly confident and not a song is misplaced."
Coppola apparently decided that he'd taken the fusion of folk roots and electronica as far as he could, since his latest, Salento Senza Tempo (Timeless Salento) is a complete u-turn from the experimentation of St. Rocco's Rave. The CD notes state, in fact, that it's not even a new Nidi D'Arac album but rather a tribute to the traditional music of Salento.
Coppola et al. have turned off the synths and sequencers for their latest, but Salento Senza Tempo, though entirely acoustic, isn't all traditional pizzica. Piano, strings, and traps imbue the folk-based material with a welcome modernity.
The not-Nidi aspect is evident in the personnel. Only a few of the sixteen tracks feature the entire band, a shifting aggregation whose core, in addition to Coppola, includes vocalist Vera De Lecce, violinist Rodrigo D'Erasmo and the excellent percussionist Maurizio Catania. Interspersed among the ensemble numbers are solo and duo pieces. There are complete songs and brief instrumental interludes that serve as connective tissue between them.
Guest musicians, including I Tamburellisti di S.Rocco, accompany Coppola on several tracks. The Tamburellisti, players of the tamburello, a large tambourine, themselves represent a blend of tradition and modernity. The group was formed from musicians representing two different southern Italian percussion schools, the more traditional from Torrepaduli, a quarter in the Salento town of Ruffano, the other represented by Andrea Piccioni, a percussionist noted for adapting the tamburello to diverse, non-folk settings and styles.
The pizzica derives from an ancient dance in whose frenetic rhythms impoverished Salentini found momentary release from the harshness of their lives. The melancholy and sorrow of Salento Senza Tempo is a reminder that pizzica, like certain reggae, is "sufferers'" music. "Mmalavita," a solo by Coppola, leads into "Su rrivatu a San Frangiscu," a grim narrative that relates what happens to a man living the malavita, the criminal life, when he ends up in a prison where pitiless mafia violence and murder reign.
There are love songs, but they're also colored by deep sadness. In "Su vinutu luntanu luntanu," a lover returns from afar bringing a serenade he fears his inamorata will not accept; frantic and lovelorn, he waits outside her door, imploring her to let him in.
Salento Senza Tempo has been thoughtfully conceived and impeccably arranged, played and sung. It's a testament to Alessandro Coppola's seriousness of purpose, his deep knowledge of and love for the traditional music of Salento. I admire it quite a bit, and love some of it. But overall it doesn't thrill me like St. Rocco's Rave. For me, the radically different versions of "Quante Tarante?," a track that appears on both albums, say it all. On Saint Rocco's Rave it's an upbeat, techno-dub mood elevator that gives me happy feet; the more restrained and traditional Salento Senza Tempo version doesn't.
I hope Coppola's latest is a temporary detour from his masterful mixing of Salento tradition with contaminazioni from other musical cultures. (That term has a positive connotation in Italian, signifying the enrichment of local idioms through the incorporation of foreign elements.) In fact, the newest incarnation of Nidi D'Arac suggests he's returned to that approach. The current lineup features three tamburellisti, but also a "dub master."
RootsWorld
•
Alessandro Coppola: vocals, guitar and tambourine
Vera Di Lecce: voice
Rodrigo D'Erasmo: violin and guitar
Maurizio Catania: drums
Caterina Quaranta:: chorus
with
tamburellisti di Torrepaduli: percussion
Andrea Piccioni: percussion
Claudio Prima: melodeon
Redi Hasa: cello
Antonio Calsolaro: mandolin
Andrea Pesce: piano
Gianluca Ferrante: bass
•
01 Aremo rindineddha (trad)
02 29 giugno (A. Coppola /R. D'Erasmo)
03 Salento senza tempo (A. Coppola/C. Prima)
04 L'ecchi toi (A. Coppola/A. Calsolaro)
05 Sia benedettu ci fice lu mundu (trad)
06 Nnazzu nnazzu (trad)
07 Mmalavita (A. Coppola)
08 Su rrivatu a San Frangiscu (trad)
09 Sale e crita (A. Coppola/V. Di Lecce)
10 Su vinutu luntanu luntanu (trad)
11 Tamburi a San Rocco (A. Coppola/A. Piccioni)
12 Quante tarante? (A. Coppola)
13 Pizzica pizzica (trad)
14 Pizzica tarantata (trad)
15 Ipocharia (A. Coppola/ A. Pesce/ R. D'Erasmo)
16 Klama (P. Corliano)
•
2007 • Tarantulae/Promo music PM CD 009
•
Salento senza tempo
First album by a young band from Salento.
The second one was posted some times ago
•
01 Ma è la pizzica
02 Terra amata
03 Ne pizzicau lu core
04 La nostra passione
05 Brigante se more
06 Passato
07 Oriental pizzica
08 Tutto quello che ho
09 Sogni
10 Calì nifta
•
Stefano Coluccia: accordion, tambourine
Fabio Maruschio: tambourine
Marco Nuzzo: guitar, tambourine, vocals
Paride Pellegrino: tambourine
Milena Chiarillo: vocals, dance
Pamela Bisanti: vocals, dance
•
2007 • Maffucci music MM082
•
Ma è la pizzica…
These young musicians are all linked by blood ties and are the most authorative candidates to become the new ambassadors of an ancient tradition. I Calanti has a special care in the interpretation of popular music as it was handed down by their ancestors.
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Daniele Colitti: vocals, tamburello, harmonica, guitar
Mirko Colitti: vocals, castanets, tamburello
Cosimo Colitti: vocals, tamburello
Simone Colitti: tamburello, accordion, melodeon
Irene Colitti: vocals, tamburello
Alberto Carratta: guitar
Pamela Spennato "Stricaturu": tamburello, dance
Martino Campioni: cupacupa, tamburello, dance
Fabrizio Ricchiello: tamburello, dance
?
•
01 Mparinatu
02 A caddhrina
03 Te sira
04 Lu fruttu nou
05 Santu Paulu
06 La zitella
07 Lu zinzinu
08 Lu rusciu de lu mare
09 Strumentale
10 Stornelli
11 Storia ti Calanti
•
2005 • Maffucci music MM051
•
Le origini
First album by this good band from Salento.
They've just released their fourth one
•
Tonino Frioli: vocals, bass guitar, percussion
Giovanni Sperti: vocals, twelve-string guitar
Antonella Esposito: vocals, castanets
Amedeo De Netto: drums
Antonio Creti: drums
Chiara Marangio: flute, piccolo
Cristian: violin
•
01 Fimmene fimmene 3:42
02 Canuscu na carusa 5:02
03 La Ceserina 5:01
04 Tarantella salentina 3:03
05 Duminica 4:59
06 La turtura 3:09
07 Kalì nifta 5:21
08 Santu Paulu 4:17
09 Lu triste furese 2:09
10 Tarantella del Gargano 4:37
11 Canto dei Sanfedisti 5:07
12 Briganti se more 2:22
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2004 • Maffucci Music MM061
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Erba de mare
Releaased shortly before the untimely death of Pino Zimba, this is his musical testment
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line up (I guess)
Pino Zimba: vocals, tambourine
Rossano Ruggeri: chitarrino
Simone Longo: tambourine, vocals
Salvatore Salentino: violin
Luisa Campa: vocals, guitar
Marco Dell’Anna: accordion
Gabriella Morciano: vocals, guitar
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01 Baciu 'nvelenatu 5:37
02 Camina ciucciu 5:04
03 Donna 2:08
04 Nu palpitu de core 4:48
05 Quant'ave 5:41
06 Stornelli 6:37
07 Le sei menu nu quartu 5:03
08 Aremu rindineddha 3:24
09 Se balla 2:50
10 Quandu lu Zimba 3:30
11 Sulamente tie 3:51
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2007 • Maffucci Music MM049
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Baciu 'nvelenatu